Sunday, September 26, 2010

Surf film festival


Spent the weekend at the New York Surf Film Festival. It was amazing--there were some really fascinating and beautiful films shown, and honestly, it takes a lot to keep my attention through many surf films. I lose interest pretty fast when all I'm seeing is guys ripping huge airs cut through with shots of babes on the beach in tiny bikinis. What was cool about the NYSFF was that many of the films are really story-based: the characters come first and the gratuitous surf shot come second (or third, or fourth, or barely at all). That's not to suggest that the movies aren't about surfing, because the ocean is always there, underlying the different characters' motivations. Not one of the people featured would be the same if they were a hockey player or a musician; surfing is not an interchangeable facet of identity, it is integral and imperative.

More on this later--details, maybe actual reviews, etc. I've got to go work through some thoughts right now. I've been both inspired and completely derailed this weekend, as I was forced to a) realize that I've been a totally pathetic surfer over the last year and b) see that there are people who are actually making their lives work around surfing and doing good in the world and c) question why I'm spending another year in school, absorbing information, while I once again kind of skim past doing anything. So yeah. Lots to process. I want to go surf right this second, but it's kind of flat.

Well then. OK, brain, let's go sit somewhere quiet for a while and think this through.

Friday, August 13, 2010


This is beautiful. And it's in a public train station! Public art+ethereal textile work? I am so in.

It reminds me a little bit of this, from the MOCA WACK! show, which I saw while I was still in college (note: the piece looks sort of dingy and unwieldy in the photo; in real life, the tension in the crocheted ropes was absolutely perfect, and sort of exhilarating). There were some amazing textile pieces there--the most famous one was this, and I don't remember who did the rest. Anyway. Craft can be art, man. Craft can be art.

Thursday, August 12, 2010

the sky was grey today

...and I thought of this Pettibon watercolor. I had a conversation with a professor/colleague the other day who had lived in Vancouver and then Berkeley for a long time. He basically told me Southern Cal surf was a pitiful excuse for real surf, and the only place to be a serious surfer was above Santa Cruz.

I freely admit: I don't really like big surf. I'm happiest when the swell is a foot or two overhead, and since I'm small, that really doesn't need to be a very big swell at all. Any more size than that and I start to spend as much time being a little bit (sometime a lot) scared as I do having fun, and that's just dumb.

I suppose that most of the things I do I do because they're a little bit scary, though. I don't think I've ever made the easy choice in my life, but a wave like this? No way. Never.

(Speaking of patterns one has entered into for one's whole life: this study has been getting a lot of airtime lately. I haven't gone through the science of it yet, but...anecdotally, it feels about right).

Wednesday, August 11, 2010

listless


It's not even as hot here as it was last month, and I am completely wiped out. Alexandra and I are sitting in our apartment, overheated, drinking iced tea. I'm supposed to be working. I can bear nothing more than staring at the screen.

What I wouldn't give to go jump in the water right now...

(answer: almost nothing. I would give you nearly anything I own, besides maybe my guitar, my computer, or my surfboard, if you would come rescue me from this ungodly heat)

Wednesday, August 4, 2010

also, as an antidote to melancholia



More on this later, but I'm fighting some serious melancholy right now. If only these Steven Powers murals were on my train ride home...

You know what? Never mind. It's enough that I know they exist. I'm glad they're on someone's train ride home.

topography


I love topographical representations; two-dimensional maps, three-dimensional structures, etc. My advisor at Lamont has worked a lot on answering the question of how people interpret spatial representations of the natural world--how do we read maps? Why is easy for some people to translate lines and marks into hills and mountains and valleys, and why is it hard for others to do so?

Spatial reasoning ability in a population, like other basic skills or abilities, falls out in a normal distribution. Unlike with basic math or reading, though, there are very few systems built into the educational framework designed to help kids develop their spatial skills (though of course, the efficacy of the systems designed to identify and help struggling kids with math and reading is debatable/sometimes ineffective/socioeconomically divided, etc).

I was always good at reading maps, but I find myself struggling to do more complex mental gymnastics now, as I try to layer information on top of information in my mental maps. If the atmospheric circulation system over Antarctica is doing (fill in the blank) now, and we change (x factor, way the hell far away), then...thinking in four dimensions is hard.

Instead, let's just look at these pretty things. An amazing topo necklace. This, from the PS1 show.

Tuesday, August 3, 2010

oceans, personal or otherwise


"Men really do need sea-monsters in their personal oceans... An ocean without its unnamed monsters would be like a completly dreamless sleep."

-John Steinbeck, The Log From the Sea of Cortez

and

“What would an ocean be without a monster lurking in the dark? It would be like sleep without dreams.”

-Werner Herzog


I spend enough time in the ocean, dressed as a seal (e.g. wetsuited, sitting in the surf zone) that I feel as though I should be more concerned about sharks than I am. It serves essentially no purpose for me to worry about all the things that could hurt me when I paddle out; it won't change my behavior, just make me more anxious. And really, I don't need any more anxiety in my life. If I get chomped, I get chomped.

Happy shark week, all.


Thursday, July 29, 2010

amazing.



I'm a total sucker for graphite, and for photorealism, and for minerals, so these blew me away. I only wish I were in San Francisco to go see Marissa Textor's work in person at Park Life...I'll have to go look at some other awesome art to fill the void. I saw this the other day and LOVED it, and last weekend I hit up the "Greater New York" show at PS1--any suggestions for something I should see this weekend?

Wednesday, July 28, 2010

starting again, perhaps?




I last wrote on this blog nearly a year ago. Since then, I've learned a lot about: the global carbon cycle, dead zones, helium, and how acids digest rock; I don't get lost on the NYC subway; I have failed to finish putting up pictures on the walls of our apartment.

More on all these things later. For now, just a few thoughts.

1) the last 5 recipes I've made from food blogs have been major failures (maybe only minor failures, but since I'm cooking so infrequently these days, they feel worse by ratio/comparison).

2) I miss the west coast terribly. New York is a wonderful place, and I've loved being here this summer (I'm not sure I can in good conscience say that I loved being here during the fall/winter), but I think part of why I've loved it is that I leave nearly every weekend. And because I'm at Lamont all day long, my actual city-time is pretty minimal. So what exactly is it that I've loved? Evenings with friends, our rooftop, biking over the Brooklyn Bridge when the moon is out? Yes, yes, and yes. But I've loved surfing on the Cape, sailing on Lake Champlain, and skateboarding the parking structures of MIT more. My summer is filled with moments of total awesomeness, most of which do not take place in New York.

That's totally fine. I'm really happy right now, and I'm lucky that I can leave to go do the things that I love to do. And I know that there's a reason I'm here; it's not like I'm just hanging out here for the hell of it, I'm working my ass off to learn stuff so I can be a better scientist, thinker, and writer. Totally legit.

So why do I keep having pangs of intense, visceral homesickness for places that are not even my original home? I think about Portland and I want to be there so badly I could cry. I think of LA (Seal Beach, Laguna, even Claremont, for heaven's sake!) and feel as though I will fly away like a pile of dust unless I get in the water to surf Trestles, Sunset, County Line. I even dream about running the ridge--3 miles straight uphill into the San Bernadino foothills, in the blazing sun, a slow shuffle all the way until I crest out and see the smog-filled LA basin, then another few miles of arm-flailing steepness downhill. I loved that stupid run.

I guess what I'm wondering now is whether I'll miss my life here when I leave, because I know I will leave. Or rather, what small pieces of my life here will I miss, and will they grow in size and importance to drown out the annoying bullshit that screams so loudly now? Will running at sunset on the West Side Highway block out having to commute 1.5 hours to get to my stupid lab? Will eating dinner on the roof with Alex cancel out the panic I felt for 6 months, as I tried to catch up to all the other 1st year grad students re: earth science background?

Anyway. What I'm trying to say is that I'm happy, and I'm engaging in a dumb, useless project of trying to compare my happinesses of the past: Pomona, Portland, Hawaii, Brown Ledge. I suppose what I should do is just file this as a good time in my life and leave it at that, no?

Note: the photos are two happy times from the last month or so--top: Breene, sitting in front of his, Justin's, and my skateboards after an epic skate sesh in Boston. bottom: the view of Mallet's Bay (Lake Champlain) that I woke up to on my birthday. Brown Ledge is like a quarter mile to the right out of the frame.